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Showing posts with label Instrumental. Show all posts
Showing posts with label Instrumental. Show all posts

Stars On Classic

Thursday, July 29, 2010 · 0 commentaires


Track List
CD 1

1. Another Day In Paradise
2. Massachusetts
3. Somebody To Love
4. Knowing Me, Knowing You
5. Immer wieder geht die Sonne auf
6. Michelle
7. Sailing
8. Bridge Over Trouble Water
9. Candle In The Wind
10. Love Me Tender
11. Hey Jude
12. Tonight's The Night
13. Tom Traubert's Blues
14. I Guess That's Why They Call It The Blues
15. Chiquitita
16. How Deep Is Your Love
17. Against All Odds
18. Bohemian Rhapsody
19. Cecilia
20. It's Now Or Never

CD2

1. We Are The Champions
2. The Sound Of Silence
3. I Don't Want To Talk About It
4. Are You Lonesome Tonight
5. In The Air Tonight
6. In The Ghetto
7. Nikita
8. The First Cut Is The Deepest
9. Let It Be
10. Your Song
11. Who Wants To Live Forever
12. Yesterday
13. A Groovy Kind Of Love
14. Fernando
15. More Than A Woman
16. This Old Heart Of Mine
17. Siebzehn Jahr, blondes Haar
18. To Love Somebody
19. The Boxer
20. Thank You For The Music


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Partho Das -Music Of The Sitar

Wednesday, November 25, 2009 · 0 commentaires


In world music, some instruments are so distinctive that hearing only a few notes brings to mind a particular country and a particular culture. No instrument is more identified with Japan than the koto (even though the koto was actually invented in China and brought to Japan by the Chinese), and just as no wind instrument evokes thoughts of Scotland more quickly than Celtic bagpipes, no string instrument says "India" more than the sitar. It's hardly India's only important string instrument -- even those with only a casual interest in traditional Indian music should know about the vina, the sarod, the sarangi, and the surbahar -- but it's certainly among the country's most recognizable. One of North India's excellent sitarists is Partho Das, whose Music of the Sitar was recorded in Delhi in June 1989. This album finds him playing three instrumental North India-style ragas; the shortest is the eight-minute "Dhun in Raga Bhairavi," while "Raga Bageshri" lasts 30 minutes, and the equally hypnotic "Raga Yaman" lasts 28 minutes. Such extended performances aren't for those with short attention spans, but because Das is such a master of his instrument, he has no problem holding the attention of serious sitar enthusiasts. Das is joined by tabla drummer Rashid Mustafa on this excellent CD. ~ Alex Henderson, All Music Guide

TRACK LISTINGS

[01]. Partho Das - Music Of The Sitar-Raga Bageshri
[02]. Partho Das - Music Of The Sitar-Dhun (In Raga Bhairavi)
[03]. Partho Das - Music Of The Sitar-Raga Yaman

Partho Das (sitar)
Rashid Mustafa (tabla)

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Eduardi Niebla & Adel Salameh -Mediterraneo

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TRACK LISTINGS

[01]. Mediterraneo
[02]. Andalucia
[03]. Jardines Del Corazon
[04]. Oasis

Fusion Guitarra Flamenca & Oud Arabe
Adel Salameh: 'Oud
Eduardo Niebla: Guitarra flamenca
Charib Ramadan: Derbake
Sanji Jhala: Tablas

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Kroke: Ten Pieces To Save The World

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The Polish trio of Tomasz Kukurba (viola; violin; voice; wind instruments; whistling; piano; percussion; mouth percussion), Jerzy Bawol (accordion), Tomasz Lato (double bass) present music on this 2003 recording that may not save the world, but will certainly make it a more interesting place to visit!


Tomasz Kukurba: viola; violin; voice; wind instruments; whistling; piano; percussion; mouth percussion

Jerzy Bawol: accordion

Tomasz Lato: double bass

Guest musicians: Jacek Królik: guitar solo (1); Slawomir Berny: percussion (1, 3)


* 1. Sun (Kukurba) 6:06

* 2. Desert (Kukurba/Bawol/Lato) 5:33

* 3. Childhood (Bawol) 3:28

* 4. Cave (Kukurba/Bawol/Grela/Lato) 6:32

* 5. Usual happiness (Kukurba) 5:45

* 6. Take it easy (Kukurba/Lato/Bawol/Grela) 5:35

* 7. Mountains (Bawol/Kukurba/Grela) 4:53

* 8. Dream (Lato) 2:59

* 9. Light in the darkness - T4.2 (Kukurba/Bawol/Lato/Grela) 6:58

* 10. Hope (Kukurba) 3:14


Aria Asia

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Sami Mansor -Sadness

Monday, November 2, 2009 · 0 commentaires

Cd1
  1. Alhob Aldaye
  2. Wada'a
  3. Nadam
  4. Seneen
  5. Alhanen
  6. Ahat
  7. Ghorba
  8. Nehayet Hob
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Cd2
  1. Shajan
  2. Domo'a Al Hob
  3. Awraq Al Kareef
  4. Kol Hatha Al Hob
  5. Etaab
  6. Wda'a
  7. Hanen
  8. Ashweq
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Cd3
  1. Qalbak Khan
  2. Leh Ansak
  3. Azab Qalby
  4. Ashky Imen
  5. Ghdar
  6. Jathy Ana
  7. Hesab Al Senen
  8. Nar Hobak
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Teodulija -Vino Istine -

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Teodulija is an ethno music and dance company which assimilates traditional and contemporary Serbian music with dance.The band was formed by: IVICA STOJANOVIC and BRANKO ISAKOVIC, musicians with great experience in truly different music fields. Becoming friends through maturing, they share mutual love towards their own roots, contemporary music and God. Theodulia (originating from two words in Ancient Greek: Theos-Doulos, Service to God) represents life oriented towards God, the truth, the eternal, everlasting... “Clearly there can be no greater honor on earth for people or peoples than to serve their Creator...”“All things serve Thee” (Ps. 119:19)... THEODULIA – service to God – is purpose of our personal and family life, heights and path for Heavenly kingdom... Theodulia is the main characteristic of all Serbian rulers of the Nemanjic dynasty. “The slave of Christ God” – this is how they used to call themselves and sign documents. They were all slaves of Christ and God; they were all theodules, servants of God. Thus Sava set them all on their path, Nemanja gave them all an example, and the spirit of God strengthened them on that path. (St. Bishop Nikolai Velimirovich – “The Serbian People as a Servant of God”).

01. Zaigrale, mamo, devojčinja ( narodna, vokal: Madam Piano, Nevena Reljin, Teodulija)
02. Zemi me, zemi (narodna, vokal: Mirjana Jovanović)
03. Đorđe (narodna, vokal: Iva Nenić i Sanja Kunjadić – grupa Arhai)
04. Kosovski božurovi (D. Nikolić, vokal: Jordan Nikolić)
05. Gugutka guka vo osoje (narodna, vokal: Merima Njegomir)
06. Bađang – tam deka ima (narodna, vokal:Teodulija)
07. Čoček ( I. Stojanović, klarinet: Ivica Mit)
08. Ječam žnjela kosovska devojka (narodna, vokal. Vasilija Radojčić, Teodulija)
09. O včar sam devet godini ( narodna, vokal: Aleksandar Vasov)
10. Krstonoše krsti nose (I. Stojanović, vokal:Dejan Najdanović – Najda, Hor Sv. Nikola)
11. Poletela dva sokola (narodna, vokali:Dečiji hor PBPD, gusle:Boško Vujačić)
12. Pesma kosovskih junaka (D. Karuović – Lj. Simović, vokal: Teodulija)
13. Stihira Sv. Savi (narodna, vokal:Aleksandar Novaković)
14. Koloplet (I. Stojanović)



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Ali Jihad Racy & Simon Shaheen - Taqasim The Art of Improvisation in Arabic Music

Sunday, November 1, 2009 · 0 commentaires


In the realm of Middle and Near-Eastern Instrumental music, not many individuals are able to receive as much widespread acknowledgement as being the "The Best", as do Simon Shaheen (Ud or Oud), and the Lebanese born Ali Jihad Racy (Buzaq). Dr. Racy's now famous composition "ANCIENT EGYPT" and his other subsequent achievements have practically re-defined the role that traditional Middle-Eastern styles and sounds can have in contemporary instrumental music. Simon Shaheen, also an extremely active, internationally renown master performer and stylist is becoming in creasingly recognized as a powerful force in World Music with his brilliant interpretations of Arabic music, both as a soloist and with his group. These two master musicians, each of whom possess not only in credible talent and skill, but who are also informed by a vast knowledge of the styles and traditions of both Eastern and Western music, perform here together, in a memorable Journey into traditional Arabic instrumental improvesation. TRACK LISTINGS (01) Maqam Kurd (02) Maqam Nahawand (03) Maqam Bayyati ALI JIHAD RACY - BUZUQ SIMON SHAHEEN - 'UD

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Yitik Sesin Peşinde / In Search of the Lost Sound

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[01]. Arazbar Peşrev - Besteci: Nefiri Behram, Fahte
[02]. Hüseyni Peşrev - Besteci: Gazi Giray Han, Zencir
[03]. Kanun taksimi
[04]. Evc Peşrev - Besteci: Acemler, Fetig Darbi
[05]. Arazbar Peşrev - Besteci: Eyyubi Mehmed Çelebi, Devr-i Revan
[06]. Çeng Taksimi
[07]. Nişabur Peşrev - Besteci: Hintliler
[08]. Çargâh Peşrev - Besteci: Derviş Mustafa
[09]. Kemançe Taksimi
[10]. Kürdi Peşrev
[11]. Buselik-Aşiranı Peşrev
[12]. Evc Peşrev
[13]. Muhayyer Peşrev
[14]. Mahur Semai

Ud: Akgün Çöl
Ney: Aziz Şenol Filiz
Kanun: Serap Aybar Çağlayan
Tanbur: Birol Yayla
Kemança: Kemal Caba
Kudüm: Kamil Bilgin
Kopuz: Birol Yayla
Santur: İhsan Özer
Çeng: Fikret Karakaya
Şehrud: Osman Kırklıkçı
Mıskal: Tugay Başar

Ustad Shujaat Husain Khan -Enchanting Strings

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Shujaat Husain Khan is perhaps the greatest North Indian classical musician of his generation. He belongs to the Imdad Khan gharana (tradition) of the sitar (lute) and is the seventh in the unbroken line from his family that has produced many musical masters. His style known as the gayaki ang, is imitative of the subtleties of the human voice. Shujaat Husain Khan is the son and disciple of master sitarist Ustad Vilayat Khan. His musical pedigree continues back through his grandfather, Ustad Inayat Khan; his great-grandfather, Ustad Imdad Khan; and his great-great-grandfather, Ustad Sahebdad Khan - all leading artist of their generation. At the age of three Shujaat began practicing on a specially made small sitar, and by the time he was six, the child prodigy started giving public performances. Since then he has performed at all the prestigious music festivals in India and has traveled around the world performing in Asia, Africa, North America and Europe. Shujaat Husain Khan has developed his own unique style of playing Indian classical music. His approach to rhythm is largely intuitive, fresh and spontaneous, always astonishing his audiences. He is also known for his exceptional voice, which he uses for singing folk songs and poetry. This album presents a mesmerizing performance of Raga Bageshri by one of the finest sitar players, Ustad Shujaat Husain Khan. Raga Bageshri is a popular raga of the late night, which is meant to depict the longing to be in communion with the beloved. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century. It is a melodious and enchanting raga that showers joy galore. It is very distinctive and instantly recognizable by the attentive listener.

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Ilaiyaraaja & Hariprasad Chaurasia -Nothing But Wind

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With his virtuousic blowing technique, Hariprasad Chaurasia has turned the Bansuri (bamboo) flute into an instrument of beauty. Blending the musical traditions of India with imagination and innovation, Chaurasia has reached beyond classical music to create a sound of his own. Presented with the national award of the Sangeet Natak Academy in 1984, Chaurasia received the Gaurav Puraskar from the state government of Maharashtra, India in 1990, the Padma Bhushan and the Konarak Samman in 1992 and the Yash Bharati Sanman in 1994. In addition to recording as a soloist, Chaurasia has collaborated with such jazz musicians as John McLaughlin and Jan Garbarek. His compositions have been heard in several Indian films including Silsila, which he co-wrote with Pandit Shiv Kumar Sharma. Although he began his musical studies as a vocalist, Chaurasia switched to the flute after hearing a performance by Pandit Bholanath a year later. Inspired by what he heard, Chaurasia spent the next eight years studying with Bholanath. He later studied with surbahar player Shrinimati Annapurna Devi, the daughter of Ustad Allaudin Khan and the siter of Ali Akbar Khan. In 1957, Chaurasia began playing and composing material for All India Radio in Calcutta. Ten years later, he collaborated with Shivkumar Sharma and Brijbhushan Kabra on a much-celebrated raga suite, "Call Of The Valley." ~ Craig Harris, All Music Guide. TRACK LISTINGS (01) [Illaiyaraaja] Singing Self (02) [Illaiyaraaja] Mozart I love You (03) [Illaiyaraaja] Song of Soul (04) [Illaiyaraaja] Composer's Breth (05) [Illaiyaraaja] Nothing But Wind

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Turquia -Classical and Popilar Turkish Music

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TRACK LISTINGS (01) Kanuni SEBUH. Kurdilihicaz longa (instr.) (02) a) Hicaz macami taksimi (instr.) (02) B) Hicaz macami taksimi (instr.) (03) Trakia karsilamassi (instr., cura baglama) (04) Kumizi bugday ('El trigo trojo') voz, 4 saz (05) Santuri ETHEM EFENDI. Sehnaz longa (instr., kanun, bendir, Oud, ney) (06) Burbet Havasi (Eylen durnam eylen) canto de los nomadas Yoruk) (07) Ben giderim batuma ('Voy a Batum') (08) SADETTIN KAYNAK. Hicaz sarki (Benin yarim gelisindidn bellidir) (09) Yavuz geliyor yavuz ('Viene Yavuz') (10) Sekeroglan ('El nino tierno') cancion de Ankara, arr. para cura baglama (11) Oldumu aysem oldumu (canto de los nomadas Yoruk) (12) Kanuni Haci ARIF BEN. Sultani yegah peshrevi (instr.) (13) A kusum ('Oh mi cordero') (14) Kanuni Haci ARIF BEN. Saltani Yegah san semaisi (instr.) (15) Silifke Sallamasi (voz, cura baglama & divan saz) (16) ARIF SAMI TOKER. Hicaz sarki (Ciksam su daglarin yucelerine) voz, kanun, ney, bendir, Oud (17) Gokte yilldiz aymisum ('La estrella en el cielo') canto, 4 saz (18) Su daglarin yuksegine erseler (Canto tradicional, viela kabak-kemani)
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Nizar Rohana -Sard

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Sard (Narration, in Arabic) is a unique music production from Palestine. In it the authenticity of the oud language is highly maintained, yet refreshing new expressions and rhythms are achieved through the dialogues with other instruments such as the double bass, the qanoun and the percussion. The album includes five pieces composed by Nizar Rohana: Sard, Umm El Zeinat, Iraq, Ajam, and Hijaz. In addition, two familiar tunes were specially arranged for this recording: Sama’i Farahfaza by Jamil Al-Tanbouri, and Ya rayeh sawb bladi by Ahmad Qaabour. The participating musicians on the album are Nizar Rohana - oud, Hani Assad - percussion, Geoffroi Delori - double bass, Waffa Zaghal - qanoun, and Khaled Jubran - musical supervision. This production was partly financed by Cultural Resource (Egypt) in collaboration with Al-Urmawi Centre (Palestine). Nizar Rohana is a prominent Oud player in the Palestinian musical scene. Rohana was born in the village of ‘Esefya on Mount Carmel in 1975. He began his musical education at an early age and playing the Oud by the age of fifteen, and in 1996 he moved to Jerusalem to take up academic studies. Focusing his research on the music of the great Egyptian composer Mohammad el-Qasabji, Rohana completed his Masters degree in Musicology 2006. Along with his intensive activity on the local musical scene, during the last ten years Rohana has been performing in many countries around the world such as Japan, Marroco, Egypt, United States, Spain, England, Italy, France, Denmark, Germany, Holland, Belguim, Portugal and Switzerland.
Track List

1 Sard (Narration)

2 Emm El Zeinat

3 Ajam

4 Iraq

5 Sama'i Farahfaza

6 Hijaz

7 Ya Rayeh Sawb Bladi

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Abdolavahab Shahidi Raz-E Oud

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Abdolavahab Shahidi was born on 1914 in Meyme(Esfahan) and started his art works from acting , singing and playing barbat in Tehran.

Soon his talent was discoverd by Master Banan in National Radia Organization and was invited in radio.

Master Shahidi has had lots of different performences as a Barbat player and singer. He has both national and international fame and he is very well known as a talented oud player in Arabic world as well.

His singing along Barbat playings are one of a kind and have kept its conection with people throughout generations.

Credits to "shajarian"

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[46]. World Music Library, KICC 5176 - Greece, Greek Traditional Village Music and Dance

Thursday, October 22, 2009 · 0 commentaires


From ancient Greek to Byzantine music, rural dance to 'rembetiko' and the Zolba dance. Greece consists of over a hundred islands and thousands of villages with different styles of music. This is a difinitive anthology of Greek folk music.

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[45]. World Music Library, KICC 5147 - Romania, Panpipe Music and Folksongs of Romania

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Nai, the Romanian panpipe has now become of the most beloved panpipes in the world. Damian Luca is a true virtuoso on the instrument.

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[44]. World Music Library, KICC 5146 - Bulgaria - Music of Bulgaria

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This is a recording of unique Bulgarian folk songs, containing traditional performances of chorus, vocal solos and folk instrumental solos.

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[43]. World Music Library, KICC 5145 - Scotland, Virtuoso Piper of Scotland (Bill Clement)

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This is a recording of famous pieces for bagpipe, performed by a top piper. Includes dance tunes such as "Country Dance" "Highland Dance" as well the ensemble piece " Amazing Grace".

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[42]. World Music Library, KICC 5102 - Turkey - Turkish Folk Songs and Instrumental Music

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Introducing Turuku, the Turkish folksong opposed to the art song called Sarki. The three top musicians of this field perform two typical styles of folksong, Uzun Hava and Kink Hava, and features the masterpiece "Uskudara".

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XU Lei - Music for Two

Saturday, August 22, 2009 · 0 commentaires


Music twin sister, XU Lei, a xylophone, clarinet 12 ancient and modern interpretations of Classical music, superb techniques, style fresh. Tastes of a truly fine album, amazing music in the new century's unique charm.


Disc Content:

01. The Rhythm of The Rain
02. Mongolians
03. Dabancheng Girl
04. Greens Leeves
05. Beautiful Grass Land My Home
06. Lonely Shepherd
07. Alamuhan
08. Pigeons
09. Kangding love song
10. Nanhai Girl
11. Mission
12. Jasmine

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