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The Music of Islam, Vol. 13: Music of Pakistan

Tuesday, April 21, 2009 ·


With the exquisite articulation of living legend Ustad Bary Fateh Ali Khan, this volume in The Music of Islam series features the traditional instruments and ragas of the classical music of Pakistan which thrive as a living testament to the wide spectrum of cultures and practices across the World of Islam. One of the few great masters alive today, Indian born Ustad Bary Fateh Ali Khan began singing at the age of eight. After partition, his family migrated to Lahore in the new state of Pakistan. He is accompanied by sarangi, tabla, tanpuras and svarmandal, and accompanies himself on harmonium (an adapted version of the Western reed organ). The sarangi (a violin in the shape of a rectangular box) is played by one of the subcontinent's great masters, Ustad Nazim Ali Khan. The tabla (a set of two drums) is played by Ershad Hussain. Today it is the most important percussion instrument in the northern half of the subcontinent. The tanpura (a drone similar in construction to the sitar but without frets and commonly with only four strings) is played by Mustaq Ali and Ghulam Sabir. The svarmandal (a small harp similar to the autoharp but without chord bars) is played by Sultan Fateh Ali.



TRACK LISTINGS

[01]. Raga Bairagi Bhairavi (Early Morning)

Artist(s):
Mustaq Ali |
Sultan Fateh Ali |
Ershad Hussain |
Bary Fateh Ali Khan played Vocals |
Nazim Ali Khan |
Ghulam Sabir

[02]. Raga Puriya Dhanashri (Early Evening)

Artist(s):
Mustaq Ali |
Sultan Fateh Ali |
Ershad Hussain |
Bary Fateh Ali Khan played Vocals |
Nazim Ali Khan |
Ghulam Sabir

[03]. Raga Yaman (Evening)

Artist(s):
Mustaq Ali |
Sultan Fateh Ali |
Ershad Hussain |
Bary Fateh Ali Khan played Vocals |
Nazim Ali Khan |
Ghulam Sabir

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